There is too much that could be said about this front cover of Andrew Lang’s comparative description of Indigenous totem systems entitled…  The secret of the totem (1909):

(Later spin-offs no doubt included The Hardy Boys and the Secret of the Totem, and Indiana Jones and the Secret of the Totem.)

The horror-house lettering gives promise of grotesque and intoxicating savageness, while the central image draws an equivalence between European heraldry and indigenous totemism with the suggestion of an erotic rite about to be consummated between a naked Sea eagle (?) woman and her Eaglehawk man.

It puts me in mind of an observation by Philip Jones, in the multi-authored volume Politics of the secret (1995):

[…] the belief in a single [Aboriginal] element or artefact holding the key to a complex of challenging problems was not just the province of anthropology, or archaeology or psychology. It also found expression in the popular literature of the time, notably in the novels of Rider Haggard. The Rider Haggard ethos, thriving today in the cinema, in which brave European men journey through forbidding country to unearth treasures and unlock mysteries to which even the savage tribes who guard them have lost the key, is revealed again and again […]